艾慕杜华是真的🐂🍺,eroticism和“辣眼睛”“毁三观”设定(后者本来就源自文化中心主义的荼毒)只是形式(如同美术)和人性的基盘,true and false, genuine and counterfeit, story within stories, unreliable narrator, vitality and decease through time才是神髓
虎皮卷儿:171.14.245.179
笼罩在贞德身上的神性,欧洲人物动物交互咬没有宗教信仰的我能感受却不能感同身受。
夕夕~:171.13.184.107
被马戏团和生活所困住的艾伯特,毫无胜算的决斗,取人性命的手枪,几度失意却又在痛哭之后收拾好行囊又继续出发 Whatever happens Life still goes on (次年热爱马戏团小丑的费里尼拍出的《大路》更打动我一点。
love itself is too much sacrificed to present the madness of falling in love, and when putting desire as the counterpart of love, the loss of authenticity unnecessarily reduces the sensation of being with love, regardless this tension is what almodovar's been wanting to visualize.